Tuesday, April 2, 2013

ANIMAIA - free days on Amazon 22-23 April

The Amazon Kindle Direct Publishing (KDP Select) program provides for 5 free give-away days each 3 months.

Mine are coming up on 22-23 April. A free Kindle download copy of ANIMAIA will be available at the Amazon store on those days.

KDP Select is an interesting Amazon initiative. It demands exclusivity of availability in return for some promotion. Some authors like it a lot and others are not so keen. The feedback is mostly positive it seems to me.

I'll see how it goes. Promotion of the free days is underway. You can still buy in now if you wish at $3.99.

http://www.amazon.com/ANIMAIA-ebook/dp/B005620FXE/ref=pd_sxp_f_pt?tag=viglink126429-20


Sunday, January 13, 2013

Kindle KDP Select

I've held back publication of ANIMAIA for a few months while I tested the traditional agent and publisher market, but it looks like it's time to try Kindle Direct Publishing (KDP Select).

Look for a free giveaway under KDP in the next month or so.

In the interim, I've been reading Hugh Howey's Wool -- a big seller indie ebook. Howey now has a print publisher deal as well.

The guy sure can write and I'm enjoying the book so far. Even so, if you consider the environments I write about in ANIMAIA -- jungles and vast landscapes -- it's not surprising that the dystopian Wool makes me feel a little claustrophobic!

Saturday, October 22, 2011

Seduced by the First Person

No, not an illicit love story, but it could be. I must admit, I am intrigued by the proliferation of successful young adult novels with, more or less, romantic themes with story told in the first person, often by a young female main character (and often written by a young female author).

Yes, Twilight kicked this off for sure and agents and editors are swooning over how to replicate it. The Hunger Games was nicely written and an intriguing story for sure -- the first volume anyway. The Night Circus is next off the block, not to mention any number of YA paranormals using 'first person' as the voice.

What's going on here? Mostly, these are 'small' stories, as stories go. No Harry Potter here. No third person grandness like George Martin (I know, not really YA) or Garth Nix or even the third person tales of Paolini and his dragons. In fact, like the Harry Potter series, these stories would be impossible to tell in first person.

The question that intrigues me is whether a natural 'bias' exists for first person voices for fiction for, putatively, young women -- and whether there is not some inevitable natural selection being worked out here. Further, perhaps first person voice can more easily be imbued with lyrical and emotional aura, compared to third person limited, and certainly to third unlimited. Is this stylistic 'fashion' -- perhaps being mistaken for 'good writing' -- edging out the more prosaic yet complex third-person adventures that, it seems to me, are more male oriented?

I don't know. Just speculating. One thing's for sure though: millions of true Harry Potter fans (including me) are getting restless, and they are waiting, waiting patiently; and they will wait, right up until they're retired and checking out their superannuation. First person won't cut it -- even in the circus.

Wednesday, August 24, 2011

Reviews of ANIMAIA

Here are some (genuine) reviews from Smashwords:
"My first thought about this book and how to describe it is "Harry Potter meets Dr. Doolittle". I absolutely loved this book. There are plenty of good guys and baddies. I can't wait for more from this author."
"Animaia is about a world where through evolution, people who were once thought to be witches were actually "gifted" individuals who could psychically link their thoughts with animals, reptiles and birds. Because of this ability, through revolution, a country became Animaia where all people are vegans... no fleshers, skinners or others, even if you are not an anima and "gifted" to be able to sync with the animal kingdom.
Animaia is about Arno Steele, a truly gifted anima who can converse/link with multiple animal groups (a rarity)and his friends as they go off for their first year of school to learn how to control and use their gifts. There are lurking threats from a neighboring country of fleshers (meat eaters) & skinners as well as the question of the crater and the grommets. Shades of Harry Potter, but with a completely different appeal.
Very enjoyable!"

Tuesday, June 7, 2011

Map of ANIMAIA

I recently put up the map of Animaia (link above). It can be a little tricky building a map when the story is being written progressively over several volumes. Things happen in subsequent volumes that an author cannot entirely predict, unless you're an extraordinary planner and story-boarder. This relates to locations as well.

Even so, with ebook publishing there is always the option to update the map in subsequent volumes (and even early volumes).

Map was done in Corel, and as you can see, I'm no expert artist or Corel user, although adequate, IMHO!

Tuesday, May 24, 2011

How Many Characters in a Fantasy?

You might also ask "how long is a piece of string." It doesn't really matter if the story is well crafted. Harry Potter, for example, has many layers of characters in order of importance to the story. Some epic fantasies have many more than that.

The thing is, for fantasy stories that wind up over three or more volumes, readers have plenty of time to come to grips with a diverse cast of characters, especially minor ones that keep popping up from time to time. The objection to "too many characters" is often that it makes the story too confusing and detracts from main character development. This may be so in shorter novels where time and pacing are limited. In longer fantasies, you have more time (and words) to embed a multitude of characters.

In addition, you can get away with a big cast if you don't give a minor character a crucial scene without first introducing him or her in a previous chapter, preferably more than once. Surprises and plot twists are fine, but doing it with new characters is not the best way.

ANIMAIA has a cast of, well . . . not exactly thousands but certainly a few dozen. Even so, the superstars are two boys and two girls as the prime protagonists. Another six or so are very important secondary characters, with another ten or more in a third layer of prominence. I think it works well (as do other readers), and by the end of the book the main cast is well entrenched, as they will be for the following volumes.

Wednesday, April 27, 2011

Employing an Editor or Proofreader - Indie Publishers

I added some comments to a post on John Konrath's blog about employing a proofreader: Diana Cox in this case, who charges very reasonable rates. The discussion worked around to editing styles and whether it might be wise to confirm the style the copy editor or proofreader will use for your manuscript. If you are from the UK or Australia you may prefer the Cambridge Handbook or Oxford Style Manual rather than the Chicago Manual of Style for example, depending on many things, including your main reader audience. Then again it may not matter to you at all.

The following are thoughts about this process for indie authors writing for a global audience and possibly sourcing editors and readers internationally.

If you are to employ an editor (or proofreader), you don't want to waste her time and yours if she is going to mark up all the serial comma misfits in strict accordance with the Chicago Manual of Style when you don't write to that style convention. Some degree of communication about such things may benefit both parties. This is only one example of course and many other points of style are contentious across international waters and style guides.

You can break the rules and create your own style, and this may work as long as it reads well and you don't get the grammar police giving you bad reviews on Amazon, which is never a good thing. Having said that, there are obvious reasons for following recognised styles.

One thing to note for indies is that when you sold your novel to a traditional agent/publisher, the international rights were looked after for you. That is, you did not have to worry about changing spelling, idiom and style to suit readers across the Atlantic or Pacific: your publisher did it if this was seen to be advantageous. The classic case was changing 'Philosopher' (UK) to 'Sorcerer' (US) in the title of the first Harry Potter book, plus idiomatic text changes as well. This was a poor decision on any number of criteria.

With Amazon recently opening a German Kindle Store, with probably more to come, whether indies decide they need to have more than one version of a book in order to maximise international sales is surely worth considering . . . or at least your editing style is.